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Learning Art >
Your
Frequently Asked Questions
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Your Frequently Answered
Questions
We receive many emails with various
questions which arise when budding artists are learning to paint and
draw. Here are the most frequently asked questions and some
answers from our consulting artists. You will also find some free
ebooks covering figure drawing and parts of the body - some of our most
commonly asked questions are answered in these books!
1. What is the correct way to
hold a pencil when sketching? 2. Can you give me some tips
on shading? 3. How to avoid muddy colors when painting with
oils?
4. Free e-book - How to draw parts of the body
5. Free e-book - How to draw the hands and feet
1.
What is the correct way to hold a pencil when sketching?
When
it comes to drawing and sketching, there's really no 'one right way' to
hold a pencil, but some methods are better than others
Tripod
Grip
The most common grip
is called the basic tripod grip, and is the one you probably use for
writing. The thumb and forefinger form a triangle with the middle
finger, which is supported by the ring finger and pinkie (little
finger). This grip allows the pencil to be finely controlled by the
fingers, so is ideal for drawing and sketching. The upright position of
the pencil allows for accurate shading with the tip, as opposed to using
the side of the pencil.
If more movement is required, the wrist or elbow can be
rested against the edge of the drawing surface, used as a pivot. |
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Overhand Grip
For the
overhand grip, brace the pencil lightly against the
fingers with the flat of the thumb. The actual position
varies according to the size of your hand.
The
main principle of the overhand grip is to have a secure
but relaxed grip. The overhand grip is ideal for
sketching on vertical surfaces with the side of the
pencil, for example an easel.
Best
results are achieved by sitting or standing so that the
arm has a full range of movement.
Underhand
Grip
The
underhand pencil grip is a very loose and relaxed grip.
It is basically a tipped-over tripod grip, but you can
also move the thumb higher or allow the pencil to sit in
the 'V' of the thumb and palm, with the index and middle
finger lightly controlling the tip.
This
grip is usually employed for casual, rough or broad
sketching, such as with charcoal pencil. |
2. Can you give me some tips on
shading
There are many
different ways to shade. Some examples are
1)
Crosshatching,
which uses crisscrossing lines to build up levels of darkness.
2)
Angled strokes
3)
Soft circular motions, which
produce a more modelled look.
Vary strokes and
pressure:
When shading, you use different amounts of pressure, layers, and
different size strokes to give the look you are aiming for.. Always
avoid using strokes that are too controlled – shading is more
of a slightly controlled scribbling |
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Avoid starting out too dark and heavy:
Try to look at the blocks of values and learn to recognize them.
Eventually you can get into all the individual values but start slow and
build. It is a process. It is better to build up layers of value
(differing levels of shading eg. light, medium, or dark shading).
Step-by-step is the best way to go.
Start with dark, medium and light shading, going away from your light
source, then blend each layer of shading into the other. This give you
a three dimensional effect. (You don't want to get too carried away in
every little value you see. You can add the in-betweens later.)
Use highlights and shadows:
If you add a highlight near the light source and a shadow on the other
side, you will end up with a very real effect. (The easiest way to
recognize and separate values is to blur your vision by squinting, or
taking focus out of your eyes. If you wear glasses, you can try taking
them off)
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How to increase lightness:
The way to make something look lighter is to put something
darker next to it. You can only get as light as the paper. So if you
need to make something look lighter you can darken the values you
already have, around it. You can build up darkness by gradually by
adding a light coat of shading over the whole thing.
Working with large areas:
If you are shading in a very dark and large area it is easier to use
a soft pencil, such as a 4B or higher, and use a little more
pressure, and larger strokes. You still may need to build up layers.
Softening: You can soften shading by
smudging with a paper stump. If you don’t have a paper stump
available, you can always use your finger.
Judging the value of a color:
You can do this by comparing it to another part of the subject. If
this is too difficult , try using a frame. Cut out a small piece of
illustration board and use it to frame the values (so you are not
distracted by the areas around it. You can then move your frame to
another part of your subject and compare it. You can then judge
whether it is lighter, darker or the same.
3.
I’m doing oil painting and trying to paint flowers Georgia O’Keefe
style. How do I get a long single flower petal shaded and avoid the
mud without having it look like dark lines just laying on top.
Try deleting
dark colours on your pallete, especially black. If painting a poppy
(red) add different hues of red to keep the canvas fresh. You will
notice on Georgia O'Keefe's poppy there aren't any dark areas on the
petals, just deeper reds.
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