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Your Frequently Asked Questions

 

Your Frequently Answered Questions

We receive many emails with various questions which arise when budding artists are learning to paint and draw.  Here are the most frequently asked questions and some answers from our consulting artists.  You will also find some free ebooks covering figure drawing and parts of the body - some of our most commonly asked questions are answered in these books!

 

1.  What is the correct way to hold a pencil when sketching?
2.  Can you give me some tips on shading?
3.  How to avoid muddy colors when painting with oils?
4.  Free e-book - How to draw parts of the body
5.  Free e-book - How to draw the hands and feet

 

1.  What is the correct way to hold a pencil when sketching?

 When it comes to drawing and sketching, there's really no 'one right way' to hold a pencil, but some methods are better than others

 Tripod Grip

The most common grip is called the basic tripod grip, and is the one you probably use for writing. The thumb and forefinger form a triangle with the middle finger, which is supported by the ring finger and pinkie (little finger). This grip allows the pencil to be finely controlled by the fingers, so is ideal for drawing and sketching. The upright position of the pencil allows for accurate shading with the tip, as opposed to using the side of the pencil.  If more movement is required, the wrist or elbow can be rested against the edge of the drawing surface, used as a pivot. 

 

Overhand Grip

For the overhand grip, brace the pencil lightly against the fingers with the flat of the thumb. The actual position varies according to the size of your hand. 

The main principle of the overhand grip is to have a secure but relaxed grip.  The overhand grip is ideal for sketching on vertical surfaces with the side of the pencil, for example an easel.

Best results are achieved by sitting or standing so that the arm has a full range of movement.

 Underhand Grip

The underhand pencil grip is a very loose and relaxed grip. It  is basically a tipped-over tripod grip, but you can also move the thumb higher or allow the pencil to sit in the 'V' of the thumb and palm, with the index and middle finger lightly controlling the tip.

This grip is usually employed for casual, rough or broad sketching, such as with charcoal pencil.

 

2.  Can you give me some tips on shading

There are many different ways to shade. Some examples are

1)       Crosshatching, which uses crisscrossing lines to build up levels of darkness.

2)       Angled strokes

3)       Soft circular motions, which produce a more modelled look.

Vary strokes and pressure:  When shading, you use different amounts of pressure, layers, and different size strokes to give the look you are aiming for.. Always avoid using strokes that are too controlled – shading is more of a slightly controlled scribbling
 

 Avoid starting out too dark and heavy: Try to look at the blocks of values and learn to recognize them. Eventually you can get into all the individual values but start slow and build. It is a process. It is better to build up layers of value (differing levels of shading eg. light, medium, or dark shading).

Step-by-step is the best way to go.  Start with dark, medium and light shading, going away from your light source, then blend each layer of shading into the other.  This give you a three dimensional effect.  (You don't want to get too carried away in every little value you see. You can add the in-betweens later.)

Use highlights and shadows: If you add a highlight near the light source and a shadow on the other side, you will end up with a very real effect. (The easiest way to recognize and separate values is to blur your vision by squinting, or taking focus out of your eyes. If you wear glasses, you can try taking them off)

 

How to increase lightness: The way to make something look lighter is to put something darker next to it. You can only get as light as the paper. So if you need to make something look lighter you can darken the values you already have, around it. You can build up darkness by gradually by adding a light coat of shading over the whole thing. 

Working with large areas:  If you are shading in a very dark and large area it is easier to use a soft pencil, such as a 4B or higher, and use a little more pressure, and larger strokes. You still may need to build up layers.

Softening: You can soften shading by smudging with a paper stump.  If you don’t have a paper stump available, you can always use your finger.

Judging the value of a color:  You can do this by comparing it to another part of the subject. If this is too difficult , try using a frame. Cut out a small piece of illustration board and use it to frame the values (so you are not distracted by the areas around it.  You can  then move your frame to another part of your subject and compare it.  You can then judge whether it is lighter, darker or the same.

 

3.  I’m doing oil painting and trying to paint flowers Georgia O’Keefe style.  How do I get a long single flower petal shaded and avoid the mud without having it look like dark lines just laying on top. 

Try deleting dark colours on your pallete, especially black.  If painting a poppy (red) add different hues of red to keep the canvas fresh.  You will notice on Georgia O'Keefe's poppy there aren't any dark areas on the petals, just deeper reds.

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